As Jesus passed on from there [Capernaum], he saw a man
named Matthew sitting at the customs post.
He said to him, ‘Follow me.’ And
he got up and followed him” (Mt 9:9).
Michelangelo Merisi da Caravaggio’s The Calling of
St. Matthew is pictured
above. It was painted in 1600 and
hangs in the Contarelli chapel of Rome’s Church of San Luigi de Francesi. Pope Francis has said that he often went to
the church as a young man to contemplate the painting.
Is St. Matthew the man with the black hat pointing with a
look of surprise on his face as if saying “Who, me?”, or the younger looking
man with his head still down counting the coins? We do not know for sure, although as far as I
know most think it is the man pointing. Perhaps
the ambiguity is a way that Caravaggio puts the observer’s focus more on the
Caller than the called. Jesus Christ is
the person all the way to the right.
Jesus has an impressive look of determination on his face, certain as to
who He is calling and able almost to bring light down upon this person and into
this gathering of tax collectors. The
light travels from right to left in the same direction as Christ extending out
his hand. The light emerges from just
above Jesus and seems to be a powerful extension of Him.
We can see a lot of physical movement in the painting. Look at Christ’s feet; they are already
turned away and he is walking to his next destination. The young man directly to the left of St.
Peter appears almost to be getting up in a mildly aggressive manner drawing his
sword to stop Jesus. The scene has
pointing, facial movements, and probably conversation.
But there is another more important type of movement in the
painting: spiritual movement. Christ in
his will wants this man to follow Him. And St. Matthew is undergoing movement in his
heart. Will he change his ways, leave
his money behind, get up and follow Him? Will He allow this man of light to cleanse him of his sins? Will he answer the call to leave his life
behind and become not just a disciple but also an Apostle, a leader in this
man’s Church? Caravaggio beautifully
paints this type of movement too.
What an amazing, powerful scene. There is so much happening here. There are movements of the body masterfully
depicted and more importantly movements of the heart. St. Matthew answers the call and follows
Jesus, giving his entire life to Him. May we follow his example and hastily get up from our tables to follow
as well.